HALESWORTH DAY OF DANCE 2023

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 I was very tempted to head up this report with the title WET, WET, WET! because that pretty much sums up the atrocious conditions lots of Morris dancers and performers encountered at Halesworth on what was for most people the first dance-out of the year.  Zoé-Anne Wadey - who heads up the organisation behind the Day - puts its incredible success down to just that fact!  The event happens before the start of most Morris calendars which means lots of teams are available, but the downside is that you never know what the weather is going to be.  I have been there in snow in the past (the 2018 Beast from the East – ed.), last year it was warm sunshine, but this year it was wet, windy, and very chilly too.

Chelmsford Brollies re size

Chelmsford Ladies do the Brolly dance

Oxblood Wet Wet Wet re size

Oxblood Musicians lead the procession around the Town

Kenninghall brollies re size

Kenninghall Molly gently sway away

Halesworth Day of Dance has several unique features which are probably becoming close to traditions now.  Many people in the town give it an enthusiastic welcome and it enjoys the support of Halesworth Town Council and several other local organisations (including AWD Goldsmith and Jewellers who have contributed generously to the event).   After a welcome from the town Mayor, there are mass dances in the market square (probably the wettest and windiest place in the town this year) with the dances and tunes publicised beforehand. This is followed by a procession which ends in each team dancing through an arch made by all the other people present, which is great fun.

Oxblood High Street re size

Oxblood wring out their hankies

Halesworth The Mayor re size

A welcome from the Mayor and Town Crier

 

After this, teams and performers disappear off to one of five venues scattered around the town. There is a lively lunchtime music session laid on by the Harbour Lights Ceilidh Band in the White Swan and a Big Strum led by Rumstrum and the Ukes of Southwold. The Day of Dance also welcomed the Suffolk Steampunk community which added a bit of street theatre to the day (https://eastangliabylines.co.uk/steampunk-in-east-anglia/).

Zoe says she started off contacting Morris sides that were listed on the Mardles website and then extended the invitations to teams listed for other big local events such as the Lobster Potty Festival and Mark Jones Day of Dance.  There cannot be many festivals going on that can boast so many participating teams and make them so welcome too.  Undeterred by the prospect of cool wet weather, around thirty teams turned up and danced despite the conditions; in Zoe's book that makes it her favourite year so far!  Most teams were smiling as they danced and it was amusing to see so many people wandering around wearing plastic ponchos from under which strange musical sounds were emerging.  It was a struggle keeping instruments dry, but still they played on!

Boudicca re size

Boudicca of Hadleigh saunter through the High Street

 

Golden Star re size

Golden Star of Norwich fight over who forgot the umbrellas

Halesworth Little Egypt re size

Little Egypt of Glemsford try to remember how the dance goes (Hint - it's a stick dance)

Halesworth 3 Danegeld re size

Danegeld say "Look at my Stick" ..... and my beautiful embroidered waistcoat

It is thought that the host side, Oxblood Molly came into being around 2005 and the Halesworth day out began in 2015 in celebration of their first ten years. Oxblood was the brainchild of Howard Matthews, (now living in Spain). He wrote a set of dances for his Spanish side, Allsorts which he passed on to Oxblood when Allsorts disbanded.  Every year a different badge is produced to reflect the theme of the year.  Last year a pair of 'bunny ears' were put on top of the traditional Ox head design in honour of Bernice (Bunny) Nash who was a founder member of the team and who had sadly died.  Belchamp Morris took it upon themselves to have badges made for the event helping to raise over £1400 for the Motor Neurone Disease Association.

The weather cleared up a bit in the late morning but it started to pour again early afternoon at which point, sadly, some people gave up and headed for home, however, up at the White Swan, dancing had moved indoors including solo broom dancing and step dancing.

Green Woman re size

A very cheerful Green Dragon / Green Man/ Green Woman

I was impressed by the cheerful way that all the teams carried on with the dancing and especially the Belly Dancers who stripped off their coats and did their routine as if there was no problem with the weather at all. The day was topped off by a lively and well attended ceilidh in the town's Rifle Hall which was run by the aforementioned Harbour Lights Ceilidh Band.

Marvellous!

Jill Parson

All photos were taken by Sasastro (and mighty fine they are too - for more see her Flickr pages at https://www.flickr.com/photos/sasastro/favorites)

Thorington Theatre

Introducing Thorington Theatre

The new 350-seat outdoor live music and theatre venue on the Suffolk Coast. Built in the husk of a WWII bomb crater that has been reclaimed by nature, the theatre is surrounded by woodland, birdsong and the gentle rustling of trees.Thorington Theatre 5 sml

ThoringtonTheatre

 

For those that haven’t been yet, Thorington Theatre are quickly establishing themselves as one of the best live music venues in the region. Not only is the calibre of performer improving year on year, but the theatre also serves as a woodland getaway. It’s a hidden gem in an area of outstanding natural beauty, where you can leave the hustle and bustle of the everyday behind and soak in the great outdoors with a drink in hand. Last season (Summer 2022) groups like, The Spooky Men’s Chorale, Alabama 3, James Righton, John Etheridge and more blew audiences away with shows that blurred the line between audience and performers. The layout of the stage space puts performers within touching distance.

Read more: Thorington Theatre

Boo Hewerdine at The Canopy Theatre

BOO HEWERDINE – Canopy Theatre Beccles Saturday 6th April at 7.30 p.m.

For over 30 years Boo Hewerdine has been considered one of the UK's finest singer-songwriters. As lead singer of seminal band, The Bible through to his subsequent solo work and long-time collaboration with the incredible Eddi Reader he has become something of a national treasure.

Boo Hewerdine 1BHe is in demand as a writer, producer and performer. Over a hundred of his songs have been covered by the likes of KD Lang, Kris Drever, Chris Difford, Heidi Talbot and Hannah Rarity. His 2019 album ‘Before’ was recorded with supreme Danish multi- instrumentalist Gustaf Ljunggren. It garnered multiple five star reviews.

Since then he has released a lockdown EP, Singularities and a new album on Reveal Records in 2022 entitled “Understudy”.  On this tour he will be singing songs from this latest album and his extraordinary back catalogue. A naturally gifted raconteur his gigs are always a total joy.

For more information visit https://boohewerdine.com/

Tickets are £14 from www.ticketsource.co.uk/martello-promotions

Lockdown: Don't let it bring you down

Strumming and Dreaming - from Les Ray

On the Crosby Stills Nash & Young album 4 Way Street, when introducing his song, Neil Young says: “Here is a new song, it's guaranteed to bring you right down; it's called ‘Don't Let It Bring You Down’”.

In contrast, this issue’s Strumming and Dreaming is genuinely designed not to bring you down, after all, there are plenty of other things that are doing that right now. That’s the aim, and the means is by telling you about a couple of very positive initiatives intended to bring you live music during the lockdown. Hopefully it will succeed.

Of course, the Mardles website includes lots of other pointers to where to find great music online coming from our region, but I thought I’d focus on a couple of initiatives that are close to my heart... and my home. 

Read more: Lockdown: Don't let it bring you down

Milkmaid Molly

INCLUSIVE MORRIS

Milkmaid Molly’s whole ethos is to support vulnerable and disadvantaged people to enrich their lives through the joy of music and movement.

Read more: Milkmaid Molly

Klezmerized at Cley Village Hall

Get Klezmerized!.....at a  'Keilidh' with the band Klezmerized, in Cley Village Hall, The Fairstead, Cley, NR25 7RJ
     on 1st June 2024.    7.pm - 11.pm   Tickets £10.00    under12's Free.
Contact: Chris ...07719 543756       ...  e.mail: This email address is being protected from spambots. You need JavaScript enabled to view it.
or on the door.
 

Klezmerized

Me and my recorder

by Val Haines

There’s a meme going around social media: just when you think parenting can’t get any harder your kid comes home with a recorder. Us recorder players still have a lot of convincing to do.

Flashback to 1969. I’m at primary school and we are told to line up and take a recorder out of a large box. I’m at the back of the queue, as always, as my name is at the back of the Val1recEarly daysalphabet. When I get to the box there is one left, a dark brown one, Bakelite I learned much later. Everybody else has a pale wooden recorder with a white top. Appearance is not the only difference I realise as we all begin to blow. Everybody else’s sound like asthmatic mice – mine sounds like a bird. Nothing I can do can make my recorder wheeze like theirs and this beautiful sound encouraged me on.  

Unlike the current meme my parents never objected to my recorder. We were told don’t take the recorder home. I took it home. We were told don’t tell your parents you have to buy one. I told my parents we had to buy one, after all once a week playing wasn’t enough, but I had to wait until my eleventh birthday. The night before I could hear my dad blowing it and my mum saying shhh, she’ll hear you. I was too excited to sleep.

I found early on that I could play lots of tunes from memory which meant that if I had to read music it slowed me down. There seemed to be an automatic connection from ears to brain to fingers. When I heard Sparky’s Magic Piano on the radio, I thought yes, that’s how it works. My teacher liked my playing and asked me to play in assembly. I refused to play alone and asked a friend to join me. We played together but I didn’t enjoy it at all. She was too loud and blew all wrong and didn’t think about how it could sound nice. I was too shy to play on my own in public so continued to march around the house playing instead: TV adverts, hymns, pop songs, anything. Then it was time to go to secondary school and I got my trumpet, flugel horn and cornet. Recorders became a bit childish, but at least you could hide them in your bag.

Read more: Me and my recorder