I wrote this article for Living Tradition Magazine in early 2020 - pre-virus. Maybe the prolonged lockdown and cancellation of festivals, folk clubs and related events and the effect this is having on the lives of many folk musicians make my thoughts even more relevant than I had anticipated. (Sorry - you may have to get out a magnfying glass to read this clearly.)
“A beautifully performed take on Americana… a multi-layered sound that belies their trio status" - RnR Magazine
“Great Songs, inventive arrangements and tremendous 3-part harmonies” - Country Music People
As those who have been fortunate enough to catch them in full flight will testify, a Jaywalkers show is an exhilarating experience. UK-based they may be but many from the other side of the Atlantic have complimented them on their particularly stylish delivery of this virtuosic brand of Americana.
These three outstanding musicians - Mike Giverin, Jay Bradberry and Lucille Williams - have developed a tight bond, demonstrated through their well-crafted, tasteful arrangements and ability to bounce ideas around the stage. The combination of powerhouse bass, flame-fingered mandolin, blistering fiddle and three-part harmony pack a punch as fiery as Jay’s lead vocals and make a fuller sound than expected from an acoustic trio.
from Les Ray
When I wrote my last column, I was eagerly looking forward to one of my highlights of the summer: Cambridge Folk Festival. Well, summer and its festivals have come and gone, so now we’re battening down the hatches in preparation for autumn (and the B-word) and becoming more contemplative.
One highlight of this year’s CFF for me was getting to interview the great Ralph McTell on my radio show broadcast live from the festival site. In the interview, Ralph - first name terms now of course! - told me about the amazing reaction when he performed ‘Streets of London’ at CFF for the first time back in 1969, 50 years ago this year. As he described it: “I’m often asked about which are the memorable days in your career and I have to say the first Cambridge was for me because, before mobile phones and social media and all that stuff, you didn’t know that people had picked up on your songs or anything, but when I announced ‘Streets of London’, which had just come out on my second album, called ‘Spiral Staircase’, the entire audience sang it all the way through with me and it was a bit emotional for me, I nearly didn’t get through it, and I was quite overwhelmed by the fact, so that’s a landmark for me”.
Fifty years on, it comes as no surprise that the whole audience sang along back then - as they did this year too - because ‘Streets of London’ was a folk song for its time, in other words, a song that connected with and carried forward the folk tradition, telling of events and circumstances affecting ordinary people’s lives.
I’m in the process of putting together a list of songs written in recent years that in my view are - or will become - folk songs for their time. A couple that immediately spring to mind are ‘Hollow Point’ by Chris Wood, which tells of the killing of Jean Charles de Menezes in July 2005, and ‘On Morecambe Bay’ by Kevin Littlewood, about the tragic deaths of the Chinese cockle pickers there in February 2004.
REQUEST
If Mardles readers can you think of other songs that would fit the bill, send email to This email address is being protected from spambots. You need JavaScript enabled to view it.
Les Ray
I would normally be at Morris practice tonight, Monday 16th March, but instead I’m sitting at home (home working?) writing this. As you may be aware today was the day that the Government asked us all to practise “social distancing”. A question; “Is practice still on tonight – are you going?” was raised tonight at 6.05pm and the response to a quick email poll was rapid, which was just as well as a decision was needed well before 8pm, especially as some members cycle 10 miles or more to our practice venue. The result of the email poll was pretty unanimous and led to some interesting comments and discoveries.
Hey, Guys, Is practice on tonight?
Read more: “Is practice still on tonight – are you going?” - Morris and Covid-19
Christina Alden & Alex Patterson are multi-instrumentalists and songwriters from East Anglia. Their music is rich with intertwining harmony, sensitive accomplished musicianship and a creative song-writing style that is both delicate and moving. Deeply inspired by the world around them, they have a keen environmental eye to craft stories with the natural world at its heart, reflecting on the relationship between humans and the wild.
They have toured extensively in the UK and Europe, including a twenty-three-date concert hall tour with Show of Hands (including Union Chapel and St David’s Hall Cardiff), a show at Glasgow Royal Concert Hall for Celtic Connections, headline and main stage performances at some of the UK’s most prestigious folk festivals and performances in Norway, Belgium, France and Ireland.
Read more: Christina Alden & Alex Patterson at The Canopy Theatre
by Sally Hall
My big accordionI long to play music in a way which feels fun and soulful… to feel joy from music, without shame or inhibitions. I dream of feeling relaxed at trad sessions and not wishing that the ground would swallow me up. I imagine how it would feel to play confidently, without the nervous shakes that come when I feel I’m getting it wrong. I long to feel a part of the lively jigs and reels at sessions, and the soft waltzes and airs.
I have been trying to do this for so long but it has always felt like an uphill struggle. In the last few months however, I’d say that I’ve had a breakthrough, which has come in the form of a new, little box.
I have always had accordions in my life. As a small child, I sat cross-legged, mesmerised by my grandma’s huge piano accordion. “Again, again!” I used to say, “Ragamuffin!” (my favourite jazzy ragtime tune).
